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Pictures and . Crossed perspectives of art history and book history

Summary/Contents –

Pictures and . Crossed perspectives of the History of art and the History of books – C. EVRARD, F. HENRYOT et C. PERROT

The image in the book – R. LEROY, “Poems figured between print and manuscript, readings of a prestigious book during the Renaissance”; R. DE MARCO, “The party book in the 17th century and the folds of the spectacular”; C. JULIE “A painter of the Grand Siècle author of a book of prints: François VERDIER and the History of the extraordinary actions of Samson, 1698”; M. GUERNET, “The New World on the scale of the book: editing the flora in travel reports in America in the 18th century”; C. SOURDIN, “Everything presented the image of laughing poverty”. Reflections around an iconographic choice of the illustration of La bergere des Alpes by Marmontel (1765)”; C. PERROT, “From Charles-Nicolas Cochin to Charles Monnet, from the iconological image in the novel in the 18th century”; E. DELCOURT, “The Selected Fables of La (1894), study of a Franco-Japanese artistic encounter”.

The image escaped from the book – C. EVRARD, “The metamorphoses of the paladins from Ariosto to the Cinquecento, from bookish space to visual autonomy”; M. CHAUFOUR, “When the artist tinkers with the book of emblems: transfers and migrations”; N. GALLIAN, “Matteo Botti (1566-1621), bibliophile and lover of Florentine prints”; A. GALLAY, “When the passion for prints leads to the destruction of the book: the evolution of ways of collecting the engraved work of Sébastien Le Clerc during the 18th century”; I. BAUDINO, “The dialogue of the arts in the illustrations of British history books”; N. COLLÉ, “From images in books to postcards via sculpture, or when illustration travels and transforms: some examples inspired by John Bunyan's Pilgrim's Journey (1678; 1684)”; P. CUGY, ““Illustrative engraving has the right to a place in the history of art”: Jeanne Duportal (1866-1954), Study on figure books published in from 1601 to 1660 and the Contribution to the general catalog of figure books of the 17th century (1601-1633)”.

Book history studies – W. KEMP, « The parangon roman [R 128 mm] used by printers in Lyons, Florence, Rome, Madrid, Salamanca, Basel, Strasburg and Frankfurt, 1547-1562”; P. DELSAERDT, “Anatomy of a harvest: seizures of books in Belgium, Holland and on the left bank of the Rhine during the French occupation, 1794-1795”; M. COLLART, “The Machuel edition of Persian Letters (1760)”; D. LERCH, ““Remember that there is something to bear for all first-class artists”: the lithographer Engelmann ( and ) and his artists (1825-1838)”; Y. BRAULT and P. LATOUR, “Pierre Lebrun and the editorialization of the intimate in the Romantic era”.

Books, works and meetings

Books received 2023-2024

Theses and authorizations to direct research relating to the history of books (defended in France, 2022-2024).

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